{"id":61881,"date":"2026-09-09T11:00:00","date_gmt":"2026-09-09T02:00:00","guid":{"rendered":"https:\/\/tokyosymphony.jp\/news\/61881\/"},"modified":"2026-09-08T13:29:46","modified_gmt":"2026-09-08T04:29:46","slug":"%e3%80%90%e6%8e%b2%e8%bc%89%e6%83%85%e5%a0%b1%e3%80%91%e3%81%b6%e3%82%89%e3%81%82%e3%81%bconline%ef%bd%9cnhk%e4%ba%a4%e9%9f%bf%e6%a5%bd%e5%9b%a3%ef%bc%86%e6%9d%b1%e4%ba%ac%e4%ba%a4%e9%9f%bf%e6%a5%bd-4","status":"publish","type":"post","link":"https:\/\/tokyosymphony.jp\/en\/news\/61881\/","title":{"rendered":"LORENZO VIOTTI EXTENDS TENURE AS MUSIC DIRECTOR OF THE TOKYO SYMPHONY ORCHESTRA THROUGH 2033\/34 SEASON"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/tokyosymphony.jp\/wp-content\/uploads\/&#x30ED;&#x30EC;&#x30F3;&#x30C4;&#x30A9;&#x30FB;&#x30F4;&#x30A3;&#x30AA;&#x30C3;&#x30C6;&#x30A3;&#x4EFB;&#x671F;&#x5EF6;&#x9577;.jpg\" alt=\"\" class=\"wp-image-61879\"\/><\/figure>\n\n<p class=\"wp-block-paragraph\">The Tokyo Symphony Orchestra (Chairman: Tetsuya Okazaki) has extended the term of Lorenzo Viotti, who has served as Music Director since fiscal year 2026, through March 2034.<\/p>\n\n<p class=\"wp-block-paragraph\">Viotti&#8217;s debut with the Tokyo Symphony Orchestra was at the Tokyo Opera City Series in July. In 2024, ten years after their first collaboration, he was welcomed as the orchestra&#8217;s music director. Viotti comes to Japan up to four times each season, spending a total of up to eight weeks conducting the Tokyo Symphony Orchestra.<\/p>\n\n<p class=\"wp-block-paragraph\">Yoshitaka Hirooka, Managing Director of the Tokyo Symphony comments,<br\/> \u201cBy working together over the long term, we aim to establish a strong and lasting musical foundation, while further enriching the orchestra\u2019s artistic expression through greater breadth and diversity of sound. At the same time, we feel a profound sense of responsibility in sharing with Maestro Viotti an important period in his development as an artist, as he moves from his late thirties into his early forties. Over the next eight years, we are committed to nurturing the partnership between Viotti and the Tokyo Symphony Orchestra into a distinctive musical brand of which we can be proud on the world stage.\u201d<\/p>\n\n<p class=\"has-base-background-color has-background wp-block-paragraph\">I am deeply happy and grateful to continue this journey with the Tokyo Symphony Orchestra for another five years.<br\/>From the very beginning, I have felt something truly special with this orchestra. The extraordinary commitment, curiosity, generosity and passion of the musicians, together with the dedication and support of the entire staff, make every project a deeply inspiring experience. The trust we continue to build together allows us to take risks, to listen to one another, and to keep growing musically and humanly.<br\/>I am equally grateful to our wonderful audience. Your loyalty, passion and openness are an essential part of what we create. Feeling your presence and energy in the hall gives our music an even deeper meaning. To imagine five more years together fills me with excitement. I am very proud to continue being part of this musical family and cannot wait for everything that lies ahead. (Lorenzo Viotti, 4th Music Director, Tokyo Symphony Orchestra)<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Upcoming Performances with Music Director Lorenzo Viotti<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">\u25c7September 12 (Sat) 11:00 AM <strong><a href=\"https:\/\/www.kawasaki-sym-hall.jp\/events\/calendar\/detail.php?id=4660\">Mozart Matinee No. 66<\/a><\/strong> (Muza Kawasaki Symphony Hall)<br\/>\u25c7September 13 (Sun) 2:00 PM <strong><a href=\"https:\/\/tokyosymphony.jp\/en\/concert\/58076\/\">Tokyo Opera City Series No. 152<\/a><\/strong> (Tokyo Opera City Concert Hall)<br\/>Conductor: Lorenzo Viotti<br\/>\u25a0Supp\u00e9: Overture to the operetta &#8220;Poet and Peasant&#8221; (September 13 only)<br\/>\u25a0Mozart: Symphony No. 38 in D major &#8220;Prague&#8221;<br\/>\u25a0Schubert: Symphony No. 2 in B-flat major<\/p>\n\n<p class=\"wp-block-paragraph\">\u25c7September 19 (Sat) 6:00 PM <strong><a href=\"https:\/\/www.kawasaki-sym-hall.jp\/7siegeln\/\">745th Subscription Concert<\/a><\/strong> (Suntory Hall)<br\/>\u25c7September 21 (Mon, Holiday) 2:00 PM <strong><a href=\"https:\/\/www.kawasaki-sym-hall.jp\/7siegeln\/\">The Book with Seven Seals<\/a><\/strong> (Muza Kawasaki Symphony Hall)<br\/>Conductor: Lorenzo Viotti<br\/>Tenor (John): Maximilian Schmitt<br\/>Bass (Voice of God): Franz-Josef Selig<br\/>Soprano: Christina Landshamer<br\/>Mezzo-soprano: Catriona Morison<br\/>Tenor: Patrick Grahl<br\/>Bass-baritone: Kre\u0161imir Stra\u017eanac<br\/>Organ = Mari Ohki<br\/>Chorus: Tokyo Symphony Chorus<br\/>\u25a0Schmidt: Oratorio &#8220;The Book with Seven Seals&#8221; (performed in German with Japanese subtitles)<\/p>\n\n<p class=\"wp-block-paragraph\">\u25c7October 10 (Sat) 2:00 PM <strong><a href=\"https:\/\/www.kawasaki-sym-hall.jp\/events\/calendar\/detail.php?id=4588\">The Masterpiece Classics No. 221 <\/a><\/strong>(Muza Kawasaki Symphony Hall)<strong><br\/><\/strong>\u25c7October 11 (Sun) 2:00 PM <strong><a href=\"https:\/\/tokyosymphony.jp\/en\/concert\/58142\/\">746th Subscription Concert<\/a><\/strong> (Suntory Hall)<br\/>\u25c7October 12 (Mon, Holiday) 2:00 PM <strong><a href=\"https:\/\/tokyosymphony.jp\/en\/concert\/61150\/\">Yokosuka Special Concert<\/a><\/strong> (Yokosuka Arts Theatre)<br\/>Conductor: Lorenzo Viotti<br\/>\u25a0J.S. Bach (arr. Hideo Saito): Chaconne<br\/>\u25a0Shostakovich: Symphony No. 10 in E minor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Tokyo Symphony Orchestra (Chairman: Tetsuya Okazaki) has extended the term of Lorenzo Viotti, who has served as Music Director since fiscal year 2026, through March 2034. Viotti&#8217;s debut with the Tokyo Symphony Orchestra was at the Tokyo Opera City Series in July. In 2024, ten years after their first collaboration, he was welcomed as [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[],"class_list":["post-61881","post","type-post","status-publish","format-standard","hentry","category-news-en"],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2027-09-09 20:38:48","action":"change-status","newStatus":"private","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/61881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/comments?post=61881"}],"version-history":[{"count":3,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/61881\/revisions"}],"predecessor-version":[{"id":61910,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/61881\/revisions\/61910"}],"wp:attachment":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/media?parent=61881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/categories?post=61881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/tags?post=61881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}