{"id":55860,"date":"2025-04-11T11:00:00","date_gmt":"2025-04-11T02:00:00","guid":{"rendered":"https:\/\/tokyosymphony.jp\/news\/55860\/"},"modified":"2025-06-10T11:19:29","modified_gmt":"2025-06-10T02:19:29","slug":"%e3%80%90%e8%ac%b9%e5%91%8a%e3%80%91%e5%87%ba%e6%bc%94%e8%80%85%e5%a4%89%e6%9b%b4%e3%81%ae%e3%81%8a%e7%9f%a5%e3%82%89%e3%81%9b%ef%bd%9c2025%e5%b9%b47-19%e5%b7%9d%e5%b4%8e%e5%ae%9a%e6%9c%9f%e6%bc%94-4","status":"publish","type":"post","link":"https:\/\/tokyosymphony.jp\/en\/news\/55860\/","title":{"rendered":"Conductor Change and Program Update | 1\/10 New Year&#8217;s Concert 2026"},"content":{"rendered":"\n<p>Conductor Kazuyoshi Akiyama, who was scheduled to perform at the New Year&#8217;s Concert 2026 on January 10, 2026, passed away on January 26 due to pneumonia.<\/p>\n\n<p>As a result, Laureate Conductor Hubert Soudant will perform in his place. Accordingly, there will be partial changes to the program.<\/p>\n\n<p>We kindly ask for your understanding and consideration in this matter.<\/p>\n\n<p><\/p>\n\n<p class=\"has-text-align-right\">April 11, 2025<br\/>Tokyo Symphony Orchestra<\/p>\n\n<p><br\/>\u25cf <a href=\"https:\/\/tokyosymphony.jp\/concert\/53272\" title=\"\">New Year&#8217;s Concert 2026<\/a><br\/>January 10, 2026 (Saturday) 14:00 Suntory Hall<\/p>\n\n<p>Conductor: <a href=\"https:\/\/tokyosymphony.jp\/en\/abouttso\/conductor\/soudant\/\" title=\"\">Hubert Soudant<\/a><br\/>Piano: Michie Koyama<\/p>\n\n<p>Weber: Overture to the opera &#8220;Der Freischutz&#8221;<br\/>Rachmaninoff: Piano Concerto No. 2 \u203bChanged from the originally planned program<br\/>Dvo\u0159\u00e1k: Symphony No. 9 &#8220;From the New World&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conductor Kazuyoshi Akiyama, who was scheduled to perform at the New Year&#8217;s Concert 2026 on January 10, 2026, passed away on January 26 due to pneumonia. As a result, Laureate Conductor Hubert Soudant will perform in his place. Accordingly, there will be partial changes to the program. We kindly ask for your understanding and consideration [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2027-04-20 04:11:09","action":"change-status","newStatus":"private","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/55860"}],"collection":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/comments?post=55860"}],"version-history":[{"count":2,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/55860\/revisions"}],"predecessor-version":[{"id":56568,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/posts\/55860\/revisions\/56568"}],"wp:attachment":[{"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/media?parent=55860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/categories?post=55860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tokyosymphony.jp\/en\/wp-json\/wp\/v2\/tags?post=55860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}